SITE RATING: 4/10
SITE
REVIEW: Just as I get
a little leary when a recording trumpets its
technical prowess over its content, I also get
a mite suspicious when a Messiah
justifies its existence by claiming it has
some special "spiritual dispensation" over
other recordings. This 2002 performance,
conducted by Ron Zarchi and marketed by the
evangelical Curtain Call Productions,
advertises itself as being "a miraculous work
recorded live at a miraculous place" - as
if this particular performance is worthy
of owning based solely upon its location.
My suspicions increased during the
opening credits, which strongly implied that Messiah
was written as an evangelical work
- which would have surprised George
Frideric Handel, who caused a serious uproar
among London clergy by originally performing
it in public theaters and sung by
publicly-vilified actors. Regardless,
this is a very amateur performance, with
soloists who are swallowed and shrill, (alto
Irena Strebin, bass Daivd Zaba), given over to
excessive ornamentation (tenor Boaz Davidoff),
a choir (the merely competent Upper Galilee
Choir) who is entirely swallowed in the
shockingly dim acoustics of the Benedictine
Church, and a surprisingly poor recording,
often switching the recorded sound from close
to natural acoustics, often during a single
aria! Zarchi's tempos are all quite safe
and moderate, bringing neither fire or
particular grace to the proceedings. In
short, instead of this being an inspirational
performance, it's instead a frustrating one,
with very poor recorded sound, sub-par
soloists, and a stridently religious
aftertaste.
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