VIDEO

LABEL: NAXOS
CATALOG NUMBER: NBD0061
UPC NUMBER: 730099006163
NUMBER OF DISCS: 1
RUNNING TIME: 1:25:00
YEAR RECORDED: 2016
RELEASE DATE: APRIL 2017
ASPECT RATIO: UNKNOWN
AUDIO: PCM STEREO; 5.1 DOLBY
REGION: 0 (WORLDWIDE)
CONDUCTOR: RUBČN DUBROVSKY
ORCHESTRA: BACH CONSORT WIEN
CHOIR: SALZBURGER BACHCHOR
SOPRANO: HANNA HERFERTNER
ALTO: GAIA PETRONE
TENOR: MICHAEL SCHADE
BASS: CHRISTIAN IMMLER

VIDEO SAMPLES OTHER RELEASES
https://www.youtube.com/watch?v=POtTH9475PI
https://www.youtube.com/watch?v=oWUzWPkPDqs
https://www.youtube.com/watch?v=_8TMLpTZK8A


SITE RATING:  8/10
SITE REVIEW:  Although I gave the audio CD a high ranking, and although the technical aspects of the blu-ray disc I viewed are excellent as far as image and sound, I feel like I need to drop the rating a touch on the video - for some visual aspects which detracted from the experience.  Beautifully  filmed at Basilica Stift Klosterneuburg in Lower Austria, the stunning architecture is highlighted during the opening Sinfonia, in aerial shots which showcase the landmark church.  Similarly, the interior, soloists, orchestra and choir are given excellent showcasing from both long and close-range camera angles.  The sound is beautifully mixed, capturing the natural acoustic, and yet clear and well-blended; it's an idea space for such a project, and for the small size of the Bach Consort Wien.  The problems arise in the visual performance of a couple of the soloists and the choir - for a project that was obviously meant to be seen as well as heard, some of the performers obviously have no idea how to "play" to a camera.  First, the good: tenor Michael Schade and soprano Hanna Herfertner give luminous performances, with their faces reflecting the alternately tender, joyous moments they are singing about.  Alternately, alto Gaia Petrone, dressed in a severe blue suit and with her eyes glued to her score, sounds wonderful, but looks stiff and emotionally mute.  Bass Christian Immler seems to have one look: stern fatalism; which, while appropriate to many of his arias, still comes across as one-dimensional.  The chorus too, looks uninvolved and the rote appearance on their faces make it appear they are not terribly involved in the glorious music they are making.  So, while the performance is still top-drawer, the visual aspect tempers that impression a bit.  Still - it's a well produced, excellently sung Messiah - and worth picking up.


The Compleat Messiah All Content Copyright © 2017 Bret D. Wheadon
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