SITE RATING: 3/10
SITE
REVIEW: This release
was snuck out in May of 2021 as a digital-only
release, and for a hot second, I wasn't
convinced that it was a legitimate release at
all - I could find little about the choir or
conductor - only fleeting references; but
since it is an international release, and the
performance itself is professional and new, I
assume that the provenance is simply
elusive. There's no label or catalog
number for the album, which is in itself
suspicious; but it doesn't appear to be an
audience recording, or a dub, so here we are,
with the sole Messiah release of 2021,
coming hot in midst of the continuing COVID
pandemic. The recording and performance,
while professional, isn't world-class, but has
many fine points. Played on period
instruments, the Belarus State Chamber
Orchestra are fine and unified, although Pyotr
Vandilovsky conducts with a heavy hand,
leading to ponderous moments, most egregiously
the throaty, plodding "For Behold, Darkness
Shall Cover The Earth" which is sung with
little feeling by Andrej Morozov. Alto
Elena Salo's timbre is equally heavy, but is
not helped by the deliberate tempos. The
Belarus State Chamber Choir all sound about
seventy years old, with thick, declamatory
singing, and not a hint of sparkle - it
reminds me of the gray Russian performances
during the height of the Cold War. Tenor
Grigorij Polischuk is hampered by a thick
accent with broadens and flattens the vowels,
and soprano Tatiana Gavrilova is a bright
point, giving a tremulous, sympathetic reading
of her arias which I found touching. The
sound is somewhat muffled, being a live
recording, and lacks immediacy or brightness
in the sound. A recording notable only
for being the sole Messiah performance to be
released this year.
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