SITE RATING: 4/10
SITE REVIEW:
I
was expecting another Chinese-language recording on this 1998 effort by
the Hong Kong Oratorio Society and Hong Kong Sinfonietta, but was
surprised to discover an English-language performance instead.
Under the baton of Conductor CHEN Tscheng-hsiung, the playing and
direction are crisp and precise, and I was impressed by the clean
delineation shown in the Overture. Tenor TAM Yu-leung sings with
a pure, light tone, and an odd trembling tessitura which took me a
couple of times listening to to appreciate. Coupled with his
nationally-accented delivery, I would consider his performance an
acquired taste. The Hong Kong Oratorio Society is
unfortunately soft in its performance, with pitch problems evident in
the sopranos and tenors, the former going flat, and the latter tending
sharp; and while the Sinfonietta seems to benefit from Tscheng-hsiung's
direction, the choir is blander is their delivery. Bass Petrus
CHEUNG is fine, although underwhelming in his tone, and a bit swallowed
in his upper register; alto Cynthia Luff is the weak link among the
soloists, giving a wilted performance that brings neither life nor fire
to her arias, and especially distracting on her melismas, which she
chops into small bites "ha-ha-ha-ha-ha!". Soprano Clara YIP gives
a too-bright reading of ""Rejoice greatly, o daughter of Zion" not
helped by the sprightly tempo chosen by the Conductor, leading to a
sharp, somewhat manic performance. The recording gives prominence
to the Sinfonietta over the Choir, with the harpsichord drowning out
certain moments of "And He shall purify" and is omnipresent throughout.
So, despite an admirable showing by the Hong Kong Sinfonietta,
this recording pales in most other aspects.
|