SITE RATING: 4/10
SITE
REVIEW: Well, it sure
doesn't take long for recordings to become
"classics" in Scandinavia - recorded in 1999
and released on the Classico label, and
re-released a mere seven years later by
German-label The International Music Company,
this CD was put out as part of the
"Scandinavian Classics" series. If you
had any question that this is a Scandinavian
product, all doubts are put to rest due to the
prominent depiction of Hans Christian
Andersen's "Little Mermaid" statue on the
front cover, as well as a full-insert picture
of the statue inside! That aside, this
is certainly a competent recording - Morton
Topp conducts the Akademisk Orkester and Choir
with plenty of verve, with tempos that sound
faster than is necessary, and a general
heavy-handedness to everything that strips
this Messiah of it's lightness and joy, and
turns this recording into a bit of a chore.
There is also a strange Italian flavor
to the performance, with the Pifa in
particular sounding a bit Bellini-esque.
Soprano Bodil Arnesen is spread thin on
her high notes, tenor Michael Kristensen is a
bit flat-toned in his performance, bass Hans
Lawaetz seems to struggle with his breathing
and sustaining, and alto Ulla Kudsk Jensen is
far too dry and toothless in her performance.
The Akademisk Orkester struggles with
line and phrasing, and the Choir is very
indistinct and muddy, despite having a
pleasing tone. I'm afraid that if this
is what the Scandinavian's consider a
"classic" recording of Messiah,
I'll wait for the next Renaissance.
|