SITE RATING: 7/10
SITE
REVIEW: The American
Bach Soloists entry into the Messiah
oeuvre is difficult to judge, since on one
hand, it is a beautifully recorded, expertly
performed, and generally well-regarded
release. On the other hand, it left me
feeling quite unmoved. There is much to
admire, yet not much to love with this
recording - director Jeffrey Thomas has opted
to perform the 1741 "Autograph Score" version,
which has numerous, small changes which will
catch the ear of long-time Messiah listeners,
and Thomas's tempi often feel rushed, pushed
beyond the needs of the song. What makes
this recording truly special is two-fold: the
clarity of the recorded sound - for a live
performance, this is easily one of the
cleanest, most separated Messiah's I've ever
heard. Everything is quite close and
balanced. Secondly, the choir, orchestra
and soloists sound absolutely unified and at
ease with the demands of the swift tempi and
melismas. But the director appears to
have given the soloists a very free hand with
their ornamentation, which some find
admirable, but I often found distracting and
vain. The entire ensemble has a
preening, proud manner about it, as if to say:
"Handel never sounded THIS good."
Again, hard to quantify, but a feeling I could
not shake. The American Bach Soloists Messiah
has all the qualities of a stunningly
beautiful, icy, Diva - lovely to look at, but
cold, hard, and unapprochable.
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