RECORDINGS
Polochick
LABEL: NAXOS
CATALOG NUMBER: 8.573798-99
UPC NUMBER: 747313379873
NUMBER OF DISCS: 2
RUNNING TIME: 2:14:59
YEAR RECORDED: 2016
CD RELEASE DATE: 2018
CONDUCTOR: EDWARD POLOCHICK
ORCHESTRA: BALTIMORE SYMPHONY ORCHESTRA
CHOIR: CONCERT ARTISTS OF BALTIMORE SYMPHONIC CHORALE
SOPRANO: JENNIFER O'LOUGHLIN
ALTO: DIANA MOORE
TENOR: NICHOLAS PHAN
BASS: SIDNEY OUTLAW


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DISC ONE

1.  Part I: Overture 00:03:01
2.  Part I: Recitative: Comfort ye my people (Tenor) 00:02:39
3.  Part I: Air: Every valley shall be exalted (Tenor) 00:03:20
4.  Part I: And the glory of the Lord (Chorus) 00:02:26
5.  Part I: Recitative: Thus saith the Lord (Bass) 00:01:27
6.  Part I: Air: But who may abide the day of his coming (Alto) 00:04:03
7.  Part I: And he shall purify (Chorus) 00:02:05
8.  Part I: Recitative: Behold, a virgin shall conceive (Alto) 00:00:28
9.  Part I: Air and Chorus: O thou that tellest good tidings to Zion (Alto, Chorus) 00:04:57
10.  Part I: Recitative: For behold, darkness shall cover the earth (Bass) 00:01:50
11.  Part I: Air: The people that walked in darkness (Bass) 00:03:29
12.  Part I: For unto us a child is born (Chorus) 00:03:44
13.  Part I: Pifa, "Pastoral Symphony" 00:01:01
14.  Part I: Recitative: There were shepherds abiding in the field (Soprano) 00:00:41
15.  Part I: Recitative: And the angel said unto them (Soprano) 00:00:52
16.  Part I: Recitative: And suddenly there was with the angel (Soprano) 00:00:15
17.  Part I: Glory to God in the highest (Chorus) 00:01:40
18.  Part I: Air: Rejoice greatly, O daughter of Zion (Soprano) 00:04:34
19.  Part I: Recitative: Then shall the eyes of the blind be open'd (Alto) 00:00:32
20.  Part I: Air: He shall feed his flock like a shepherd (Alto, Soprano) 00:05:16
21.  Part I: His yoke is easy, his burthen is light (Chorus) 00:02:05
22.  Part II: Behold the Lamb of God (Chorus) 00:02:38
23.  Part II: Air: He was despised and rejected of men (Alto) 00:10:07
24.  Part II: Surely he hath borne our griefs (Chorus) 00:01:33
25.  Part II: And with his stripes we are healed (Chorus) 00:01:32
26.  Part II: All we like sheep have gone astray (Chorus) 00:03:34
DISC TWO

1.  Part II: Recitative: All they that see him laugh him to scorn (Tenor) 00:00:42
2.  Part II: He trusted in God (Chorus) 00:01:50
3.  Part II: Recitative: Thy rebuke hath broken his heart (Tenor) 00:02:15
4.  Part II: Air: Behold, and see if there be any sorrow (Tenor) 00:01:32
5.  Part II: Recitative: He was cut off out of the land of the living (Soprano) 00:00:25
6.  Part II: Air: But thou didst not leave his soul in hell (Soprano) 00:02:07
7.  Part II: Lift up your heads, O ye gates (Chorus) 00:02:55
8.  Part II: Recitative: Unto which of the angels (Tenor) 00:00:17
9.  Part II: Let all the angels of God worship him (Chorus) 00:01:09
10. Part II: Air: Thou art gone up on high (Alto) 00:02:52
11. Part II: The Lord gave the word (Chorus) 00:02:04
12. Part II: Air: How beautiful are the feet (Soprano) 00:02:12
13. Part II: Their sound is gone out (Chorus) 00:01:18
14. Part II: Air: Why do the nations so furiously rage together (Bass) 00:02:51
15. Part II: Let us break their bonds asunder (Chorus) 00:01:31
16. Part II: Recitative: He that dwelleth in heaven (Tenor) 00:00:12
17. Part II: Air: Thou shalt break them (Tenor) 00:01:52
18. Part II: Hallelujah (Chorus) 00:03:29
19. Part III: Air: I know that my redeemer liveth (Soprano) 00:05:49
20. Part III: Since by man came death (Chorus) 00:02:14
21. Part III: Recitative: Behold, I tell you a mystery (Bass) 00:00:37
22. Part III: Air: The trumpet shall sound (Bass) 00:09:01
23. Part III: Recitative: Then shall be brought to pass (Alto) 00:00:18
24. Part III: Duet: O death, where is thy sting (Alto, Tenor) 00:01:03
25. Part III: But thanks be to God (Chorus) 00:02:16
26. Part III: Air: If God be for us (Soprano) 00:04:24
27. Part III: Worthy is the lamb that was slain (Chorus) 00:07:49

SITE RATING:  4/10
SITE REVIEW:  One of the more ear-catching, but misguided Messiahs I've ever experienced, Edward Polochick and the combined forces here certainly present a "different" sounding performance, although whether listeners will appreciate its eccentricities is debatable.  Recorded two years previously, Naxos has belatedly added it to their catalog, even though they have several other recordings extant.  The extreme ornamentation which Polochick has added to the piece is abundantly evident on the opening Sinfonia, which at times I didn't recognize as Handel's!  Tenor Nicholas Phan then gives an extremely fruity reading of "Comfort Ye" and "Every Valley" - and his delivery was oddly like listening to the Bert Lahr's Cowardly Lion from The Wizard Of Oz, with a miles-wide vibrato at times sounding like a parody of itself.  But the odd interpretation doesn't end there; the Concert Artists of Baltimore Symphonic Chorale give a resoundingly brutal delivery of "And The Glory Of The Lord" - pounding syllables as if they were hammering on Vulcan's forge.  But the entire performance has a heavy, strident, and unpleasant harshness to it - the performers giving richly melodramatic interpretation that sounds overwrought and occasionally manic.  Among the soloists, I give high marks to alto Diana Moore, who has a rich, creamy tone, and bass Sidney Outlaw also has a tremendously appealing tone and restrains himself from undue vocal trickery.  Soprano Jennifer O'Loughlin has a lovely flute-like tone which I found quite appealing, unless she's forced into hystrionic acrobatics.  The Baltimore Chorale suffers through their forced interpretation of the choruses, often drifting into disunified timbres and oversinging.  It's clear that Mr. Polochick has attempted to inject some dramatic "meat" into the performance, but the idiosyncratic meshing of flowery ornamentation and heavy, unending beats struggle against each other - like two different performances fighting to be "king of the hill."  It's interesting, but wrong-headed.  It's a shame, since the forces here are unquestioningly talented, and are obviously giving their all - but the result is all effort, and small inspiration. 


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