SITE RATING: 6/10
SITE
REVIEW: A populist Messiah
sung with all the gravitas of "Old Man
River", the behemoth Mormon Tabernacle
Choir and thunderous Philadelphia Orchestra
power through under the baton of Eugene
Ormandy. There seems to be little middle
ground among listeners with this recording,
they either love it, or dismiss it out of
hand. It was a raging best-seller during
its day, and has never been out of print since
it's release, continuing to place among the
top five best-selling Messiah's. Ormandy
embraces all of the American largess that had
crept into Handel's work in the previous
decades, without succumbing to the revisionist
extremes of Thomas Beecham's even more
expansive reading. Of the soloists,
William Warfield is the star of the recording,
giving his solos an evangelical passion that's
extraordinarily stirring, even now.
Tenor Davis Cunningham gives a natural,
unstudied reading that I find quite
compelling. Matha Lipton emotes
everything within sight with her
rich, overly ripe contralto, while Eileen
Farrell is given little to do, but makes a
strong statement with "His Yoke Is Easy" and
"I Know That My Redeemer Liveth". The
Choir is also remarkable here, singing with,
if not great technique, then great spirit and
power, giving an unreserved punch to the great
choruses, and a celestial serenity to the
slower passages. It almost
makes up for their overpowering western
American consonant-chewing. Buyers must
also be aware that despite being a
double-disc set, it's actually far from
complete, with almost half of the oratorio
cut, and nary a baroque instrument or
ornamentation to be heard. Possibly the
most earnest, sincere Messiah ever
captured.
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