RECORDINGS
Václav Luks
LABEL: ACCENT RECORDS
CATALOG NUMBER: ACC 24354
UPC NUMBER: 4015023243545
NUMBER OF DISCS: 2
RUNNING TIME: UNKNOWN
YEAR RECORDED: 2018
CD RELEASE DATE: APRIL 19, 2019
CONDUCTOR: VÁCLAV LUKS
ORCHESTRA: COLLEGIUM 1704
CHOIR: COLLEGIUM VOCALE 1704
SOPRANO: GULIA SEMSNZATO
COUNTER-TENOR: BENNO SCHACHTNER
TENOR: KRYSTIAN ADAM
BARITONE: KREŜIMIR STRAZANAC


AUDIO SAMPLES HIGHLIGHTS OTHER RELEASES

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DISC ONE

1-22 First Part - 48:43
DISC TWO

1-22 - Second Part - 50:36
23-31 - Third Part - 31:19

SITE RATING:  8/10
SITE REVIEW:  In reading about the production of this CD, I discovered that it has the distinction of being the first recorded performance of Handel's Messiah to ever be released in the Czech Republic.  Taken from two live performances in 2018, the acclaimed Collegium 1704 ensemble, along with conductor Vaclav Luks, have much to be proud of.  The recorded sound is gorgeous and clear, betraying none of the pitfalls of a recorded live setting.  The Collegium 1704 is a well-regarded baroque ensemble in Czechoslovakia, and they show their prowess here with finely delineated playing; sensitive and clean, feeling each moment as one unified ensemble.  Vaclav Luks shows a sensitive, knowing hand in his interpretation of the text - giving weight to the text, and allowing the performers to breathe and give space to important moments.  Tenor Krystian Adam is splendid - light, yet authoritative, his tone is warm and inviting, and he masterfully gives emotional weight to the text.  The Collegium Vocale 1704 is remarkably precise and clean in both their diction and unity - their mastery of the English language is wonderful - they sound like an English chamber choir, and have a pure sound that is transparent and lovely.  Baritone Kresimir Stazanac is a bit "blustery" for my tastes, but he sings with great control and mastery of the melismas.  When he sings "For Behold, Darkness Shall Cover The Earth" he brings a haunting quality to his voice which is unique in my experience.  Counter tenor Benno Schachtner's vibrato runs a bit wide for my tastes, and runs counter to the clean singing of others in the ensemble; but he's not a weak link - he's a fine singer, but I wish an alto had been used instead.  Vaclav Luks keeps tempos nicely brisk - this is overall an electric performance with beautifully recorded sound, and an energetic, kinetic vision, which is highly recommended for collectors.


The Complete Messiah All Content Copyright © 2019 Bret D. Wheadon
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