RECORDINGS

LABEL: AMSTERDAM CLASSICS
CATALOG NUMBER: AC 20056
EAN NUMBER: 871395200395
NUMBER OF DISCS: 2
RUNNING TIME: 2:16:38
YEAR RECORDED: 2006
CD RELEASE DATE: MARCH 25, 2013
CONDUCTOR: PIETER JAN LEUSINK
ORCHESTRA: THE BACH ORCHESTRA OF THE NETHERLANDS
CHOIR: THE BACH CHOIR OF THE NETHERLANDS
SOPRANO: MIRANDA VAN KRALINGEN
COUNTERTENOR: SYTSE BUWALDA
TENOR: MARTINUS LEUSINK
BASS: MATH DIRKS


AUDIO SAMPLES HIGHLIGHTS OTHER RELEASES

NONE


DISC ONE

1. Messiah HWV 56, Part I: Sinfony    3:08
2. Messiah HWV 56, Part I: Recitative (Tenor): Comfort Ye My People    2:47
3. Messiah HWV 56, Part I: Aria (Tenor): Ev'ry Valley Shall Be Exalted    3:21
4. Messiah HWV 56, Part I: Chorus: And the Glory of the Lord    2:39   
5. Messiah HWV 56, Part I: Recitative (Bass): Thus Saith the Lord    1:19
6. Messiah HWV 56, Part I: Aria (Alto): But Who May Abide    4:24
7. Messiah HWV 56, Part I: Chorus: And He Shall Purify    2:22
8. Messiah HWV 56, Part I: Recitative (Alto): Behold a Virgin Shall    0:24
9. Messiah HWV 56, Part I: Aria (Alto & Chorus): O Thou That Tellest    5:31
10. Messiah HWV 56, Part I: Recitative (Bass): For Behold, Darkness    1:51   
11. Messiah HWV 56, Part I: Aria (Bass): The People That Walked in the Darkness    3:37   
12. Messiah HWV 56, Part I: Chorus: For Unto Us a Child Is Born    3:54
13. Messiah HWV 56, Part I: Pifa    2:46
14. Messiah HWV 56, Part I: Recitative (Soprano): There Were Sheperds in the Field    0:11
15. Messiah HWV 56, Part I: Recitative (Soprano): And Lo, the Angel    0:17
16. Messiah HWV 56, Part I: Recitative (Soprano): And the Angel Said    0:34
17. Messiah HWV 56, Part I: Recitative (Soprano): And Suddenly There Was an Angel    0:18
18. Messiah HWV 56, Part I: Chorus: Glory to God    1:46
19. Messiah HWV 56, Part I: Aria (Soprano): Rejoice    4:32
20. Messiah HWV 56, Part I: Recitative (Alto): Then Shall the Eyes    0:25
21. Messiah HWV 56, Part I: Aria (Alto & Soprano): He Shall Feed His Flock    4:36
22. Messiah HWV 56, Part I: Chorus: His Yoke Is Easy and His Burthen Is Light    2:19
23. Messiah HWV 56, Part II: Chorus: Behold the Lamb of God    2:39
24. Messiah HWV 56, Part II: Aria (Alto): He Was Despised    9:23
25. Messiah HWV 56, Part II: Chorus: Surely He Hath Born    1:47
26. Messiah HWV 56, Part II: Chorus: And With His Stripes    1:55
27. Messiah HWV 56, Part II: Chorus: All We Like Sheep    3:53
28. Messiah HWV 56, Part II: Recitative (Tenor): All They That See Him    0:41

DISC TWO

29. Messiah HWV 56, Part II: Chorus: He Trusted in God    2:23
30. Messiah HWV 56, Part II: Recitative (Tenor): Thy Rebuke Hath Broken    1:32
31. Messiah HWV 56, Part II: Aria (Tenor): Behold, and See    1:16
32. Messiah HWV 56, Part II: Recitative (Soprano): He Was Cut Off Out    0:17
33. Messiah HWV 56, Part II: Aria (Soprano): But Thou Didst Not Leave    2:05
34. Messiah HWV 56, Part II: Chorus: Lift Up Your Heads    3:03
35. Messiah HWV 56, Part II: Recitative (Tenor): Unto Which of the Angels    0:18
36. Messiah HWV 56, Part II: Chorus: Let All the Angels of God    1:26
37. Messiah HWV 56, Part II: Aria (Alto): Thou Art Gone Up On High    3:04
38. Messiah HWV 56, Part II: Chorus: The Lord Gave the Word    1:15
39. Messiah HWV 56, Part II: Aria (Soprano): How Beautiful Are the Feet    2:10
40. Messiah HWV 56, Part II: Chorus: Their Sound Is Gone Out    1:22
41. Messiah HWV 56, Part II: Aria (Bass): Why Do the Nations    3:03
42. Messiah HWV 56, Part II: Chorus: Let Us Break    1:54
43. Messiah HWV 56, Part II: Recitative (Tenor): He That Dwelleth    0:10
44. Messiah HWV 56, Part II: Aria (Tenor): Thou Shalt Break Them    1:59
45. Messiah HWV 56, Part II: Chorus: Hallelujah    3:36
46. Messiah HWV 56, Part III: Aria (Soprano): I Know That My Redeemer    5:18
47. Messiah HWV 56, Part III: Chorus: Since By Man Came Death    1:57
48. Messiah HWV 56, Part III: Recitative (Bass): Behold I Tell You a Mistery    0:31
49. Messiah HWV 56, Part III: Aria (Bass): The Trumpet Shall Sound    9:02
50. Messiah HWV 56, Part III: Recitativo (Alto): Then Shall Be Brought    0:15
51. Messiah HWV 56, Part III: Duet (Alto & Tenor): O Death, Where Is Thy Sting    1:07
52. Messiah HWV 56, Part III: Chorus: But Thanks Be to God    2:23
53. Messiah HWV 56, Part III: Aria (Soprano): If God Be for Us    4:45
54. Messiah HWV 56, Part III: Chorus: Worthy Is the Lamb    1:10
55. Messiah HWV 56, Part III: Chorus: Blessing and Honour    1:55
56. Messiah HWV 56, Part III: Chorus: Amen    4:03


SITE RATING:  7/10
SITE REVIEW:  I’m a little confused about this release at the moment.  That’s because the label that’s released it in digital format here in the States, Amsterdam Classics, show it’s original recording date as 2006 - and according to my investigation, director Pieter Jan Leusink did indeed record a Messiah in 2006, but with the Holland Boys Choir, not the Bach Choir as shown here.  Adding to this, Amsterdam Classics is releasing a new recording of Messiah in July 2013, with director Leusink, again with The Bach Choir and Orchestra of the Netherlands, but with two of the soloists different from what is listed on this digital release!   So, is the release information wrong, or is this a separate, THIRD Messiah from Leusink?  At this point I do not know, but I have ordered the Holland Boys Choir version, and am expecting to receive the new Messiah box later this year, so hopefully I can straighten out all the confusion.

That said, this is a generally sparkling performance - the Bach Orchestra of the Netherlands play with light precision, and Leusink keeps tempi dancing and moderate throughout.  Tenor Martinus Leusink (yes, the director’s son) is not as commanding as I would like on his arias, sounding somewhat uneven on his melismas, and with a tone that is on the thin side.  Bass Math Dirks has a fine tone, lacking only a truly brilliant presence to vault his performance into the upper echelon of Handellian basses.  Countertenor Sytse Buwalda is wonderful - warm and expressive, displaying enviable sensitivity in his arias.  Soprano Miranda van Kralingen sounds oddly tremulous on her first recitatives, almost as if she’s unprepared for the moment, but later redeems herself with a warm, generous “Rejoice greatly.”  The Bach Choir of the Netherlands is not recorded evenly, with the upper registers being sometimes overpowered by the lower, but their tone and commitment are excellent.



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