SITE RATING: 7/10
SITE
REVIEW: Richard
Hickox's 1991 Messiah on Chandos has all
of the individual parts to create a really
fine performance, but for one reason or the
other, the separate ingredients don't gel.
A very young Bryn Terfel received top
billing here, which is surprising, since he
hadn't yet broken big in the States by 1991;
and despite his marvelous resonance, he's not
at his full interpretive power yet, and
doesn't command the stage, or even stand out
from the soloists; that honor goes to tenor
Philip Langridge, who give a commanding,
thrilling vocal masterclass in his arias.
Soprano Joan Rodgers has a trilling,
flute-like tone that I found distracting, with
a quick, fluttering vibrato. The Collegium
Musicum 90 Orchestra and Chorus are fine, but
don't sound fully invested in the work; and
Richard Hickox's fluctuating tempos don't
help; rather than serve the individual
movements, they sound misplaced, as if the
musical 'deck of cards' got reshuffled.
Overall, a unsettled, dissatisfying Messiah
that has many fine individual elements, but
doesn't come together into a pleasing whole.
On a related note - for years this recording
has also been pirated by various shady labels
under an anonymous conductor's
nom-de-plume of "Serge Baudo" (or "Baude") and
the Royal Music College of Edinburgh, and I
had listed that recording separately on this
site (and given it a slightly higher rating,
by the way - probably due to the mystery
surrounding it) - but was happily informed of
the true identity of its artists by Kent
Appleberry who referred me to a user review on
Amazon. I have merged the two recordings
now, and warn any purchasers that the Chandos
release is technically far superior (and with
the artists correctly attributed) than any
other release.
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