RECORDINGS

LABEL: SPECTRUM SINGERS / MEADOW MEDIA
CATALOG NUMBER: N/A
UPC NUMBER: N/A
NUMBER OF DISCS: 2
RUNNING TIME: 59:53, 39:37
YEAR RECORDED: 2001
CD RELEASE DATE: 2002
CONDUCTOR: BRUCE HANGEN
ORCHESTRA: THE INDIAN HILL SYMPHONY ORCHESTRA
CHOIR: THE SPECTRUM SINGERS
SOPRANO: JANE SCHIVICK
ALTO: SUSAN RODGERS
TENOR: RAY BAUWENS
BASS: BRYAN MCNEIL

PRIVATE RELEASE
NOT AVAILABLE FOR PURCHASE.
CHECK AVAILABILITY ON


AUDIO SAMPLES HIGHLIGHTS OTHER RELEASES

NONE

NONE

NONE

DISC ONE

Part One
1. Sinfonia (Overture)
2. Comfort ye my people
3. Ev'ry valley shall be exalted
4. And the glory of the Lord
5. Thus saith the Lord
6. But who may abide the day of his coming?
7. And he shall purify
8. Behold, a virgin shall conceive
9. O thou that tellest good tidings to Zion
10. For behold, darkness shall cover the earth
11. The people that walked in darkness
12. For unto us a child is born
13. Pifa ('Pastoral Symphony')
14. There were shepherds abiding in the field
15. Glory To God
16. Rejoice greatly, O daughter of Zion
17. Then shall the eyes of the blind
18. He shall feed his flock
19. His yoke is easy, and his burthen is light
DISC TWO

Part Two
1. Lift up your heads, O ye gates
2. Unto which of the angels
3. Let all the angels of God worship him
4. Their sound is gone out
5. How beautiful are the feet
6. Hallelujah

Part Three
7. I know that my redeemer liveth
8. The trumpet shall sound
9. Then shall be brought to pass
10. But thanks be to God
11. If God be for us
12. Worthy is the lamb that was slain / Amen

SITE RATING:  4/10
SITE REVIEW:  This double-disc set, privately released (I'm guessing) to members of The Spectrum Singers and The Indian Hill Symphony Orchestra who participated in this concert, is a decent document of this live performance from 2001, but has several glaring faults, mostly in the soloists and direction.  The Spectrum Singers, an audition choir that is based in Boston under the baton of John W. Ehrlich, acquit themselves on the whole very well, with smooth, unified singing and a pleasing tone.  For a live recording, they're a credit to their community.  The troubles on this performance come from two sources, the soloists, who are some of the most inept I've experienced, and the direction by conductor Bruce Hangen, which is, on the whole, tepid and safe. I can't quite figure out how these soloists merited a place on this concert - tenor Ray Bauwens quite simply has little to no ability in managing the melismas - his voice wobbles, and even breaks in a couple of places; he sounds intimidated, and it's a very uncomfortable listen.  Soprano Jane Shivick has a quick, fluttering vibrato that grated, and has the odd habit of landing slighty below the note, and then 'sliding' up to it.  Bass Bryan McNeil fares best, with a pleasant, resonant tone that carries  him through most moments, only going painfully sharp on "The Trumpet Shall Sound", and alto Susan Rodgers simply sounds unsteady and out of her depth with a wide, wobbly vibrato and timid delivery.  She often struggles with the tempos set by the conductor, occasionally having to gasp for breaths every other measure during her melismas.  Hangen's tempos are mostly safe, but have a tendency towards racing.  The Indian Hill Symphony Orchestra is a good match for the chorus, with a similar blend and tone; all in all, a safe performance undercut mainly by the painful soloists and regional limitations.

The Compleat Messiah All Content Copyright © 2010 Bret D. Wheadon
All Rights Reserved.