RECORDINGS

LABEL: BAUER
CATALOG NUMBER: TCD/MCF11 1993 CD
EAC NUMBER: 4012116903034
NUMBER OF DISCS: 1
RUNNING TIME: 70:20
YEAR RECORDED: 1993
CD RELEASE DATE: 1993
CONDUCTOR: KLAUS FISCHBACH
ORCHESTRA: ORCHESTERWERKE AUS DEM ORATORIUM VOM LEBEN JESU
CHOIR: TRIERER DOMCHOR,  
DIE CHOR AUS DEM ORATORIUM VOM LEBEN JESU,
MADRIGALCHOR KLAUS FISCHBACH SAARBRÜKEN,
MITGLIEDER DES RUNDFUNK-SINFONCORCHESTERS SAARBRÜKEN
SOPRANO: N/A
CONTRALTO: N/A
TENOR: N/A
BASS: N/A


THIS ITEM MAY BE PURCHASED FROM THE
MADRIGALCHOR
KLAUS FISCHBACH
WEBSITE.

AUDIO SAMPLES HIGHLIGHTS OTHER RELEASES

NONE

NONE

NONE

DISC ONE

1. Sinfonia (Orchestereinleitung) 5’05
2. Denn die Herrlichkeit Gottes, des Herrn, wird offenbaret 3’32
3. Und er wird reinigen und läutern das Volk des Bundes 3’04
4. O du, die Wonne verkündet in Zion 2’33
5. Denn es ist uns ein Kind geboren 5’11
6. Pastorale (Orchesterzwischenspiel) 4’38
7. Ehre sei Gott in der Höhe 2’23
8. Sein Joch ist sanft, die Last ist leicht 3’24
9. Seht an das Gotteslamm 3’44
10. Wahrlich, er trug unsere Qual 2’17
11. Durch seine Wunden sind wir geheilet 2’09
12. Der Herde gleich, vom Hirten fern 4’51
13. Er trauete Gott, dass der würd’ erretten ihn 2’46
14. Hoch tut euch auf, und öffnet euch weit 3’09
15. Der Herr gab das Wort 1’30
16. Ihr Schall gehet aus in jedes Land 1’38
17. Auf, zerreißet ihre Bande 2’11
18. Halleluja 4’41
19. Wie durch Einen der Tod 2’22
20. Würdig ist das Lamm, das da starb 4’06
21. Amen 4’14


SITE RATING:  7/10
SITE REVIEW:  In my search for recordings of Messiah that I've not heard, occasionally I'll stumble by sheer chance upon a foreign release, like this 1993 German choral highlights (Mozart arr.), featuring no less than three combined choirs under the direction of Klaus Fischbach.  Fischbach is still working with the choir that features his name as of this writing, and based upon this sample, the director is able to form a clean, balanced sound.  I'm not sure how large the combined forces are for this recording, but they manage to blend their voices admirably, helped by the thick natural acoustic of the space they're in. Fischbach directs the choruses in a deliberate, square manner, with tempos that are similarly deliberate; they're much slower than I'm accustomed to hearing in a recording from this era, and the squareness of the tempos make me feel as if the choir is s-p-e-l-l-i-n-g o-u-t e-a-c-h m-e-l-i-s-m-a, or speaking to a child very slowly and carefully.  It's a strange aural sensation, almost as if I'm being sung "down" to.  Regardless, the pure tone and unity of the choir, the matched playing of the orchestra, and the slow, but steady pulse of the direction I found generally disarming.  Being a live recording, there is a little audience noise present, but it's very clean-sounding overall, and if you don't mind the slow, stately tempos throughout, this is a choral performance worth seeking out.

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