SITE RATING: 5/10
SITE
REVIEW: An
out-of-print all-digital recording from
Canadian label Opening Day Records, this 1995
performance features The London Fanshawe
Symphonic Chorus, Gerald Fagan Singers, and
Concert Players Orchestra under the direction
of Gerald Fagan. It's a middle-of-the-road
production, with high points including the
Concert Players Orchestra, good recorded
sound, competent soloists, and strong moments,
but undercut by severe, persistent intonation
problems within the choir, blocky direction
from the conductor, and ornamentation among
the soloists that crosses the line of good
taste on several occasions. I had high
hopes in the beginning, with the orchestra
giving a nice turn on the overture, and tenor
soloist Mark DuBois showing good tone on his
opening "Comfort Ye", but later he showed a
tendency towards muscling through his
melismas, a trait which repeated itself with
bass Gary Relyea; both showing excellent pitch
and tonal control, but exhibiting little
sensitivity towards the material - "punching"
the notes with great force, and then both
adding ornamentation which added to the sense
of disconnect with the text. There are
moments that shine: DuBois's "Thy Rebuke Hath
Broken His Heart" is gorgeous, and the choir
sounds glorious on "Lift Up Your Heads"; but
on other moments, the choir is woefully flat:
"For Unto Us A Child Is Born" is painful to
listen to - and other choruses are simply dull
and heavy. The other soloists are only
middling, with both Mezzo Soprano Janis Taylor
and Soprano Leslie Fagan sounding a bit chesty
and swallowed in their tone. The
recording is so hit and miss, with generous
moments of both, that I can only recommend it
to ardent collectors.
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