RECORDINGS

LABEL: OPENING DAY RECORDINGS
CATALOG NUMBER: ODR9304
UPC NUMBER: 776143000428
NUMBER OF DISCS: 1
RUNNING TIME: 1:16:15
YEAR RECORDED: 1994
CD RELEASE DATE: 1994
CONDUCTOR: HOWARD DYCK
ORCHESTRA: GIFT OF MESSIAH ORCHESTRA
CHOIR: GIFT OF MESSIAH CHOIR
SOPRANO: HENRIETTE SCHELLENBERG
MEZZO-SOPRANO: CATHERINE ROBBIN
TENOR: PAUL FREY
BASS: DANIEL LICHTI


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AUDIO SAMPLES HIGHLIGHTS OTHER RELEASES
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DISC ONE

1. Sinfony 2:57
2. Comfort ye my people
    Ev'ry Valley shall be exalted 6:25
3. And the glory of the Lord 2:48
4. Behold, a virgin shall conceive
    O thou that tellest good tidings 6:01
5. For unto us a child is born 3:49
6. Pifa
    There were shepherds abiding
    And lo, the angel of the Lord
    And the angel said
    And suddenly there was with the angel
    Glory to God 4:30
7. Rejoice greatly 4:35
8. Behold the Lamb of God 3:04
9. He was despised 9:20
10. Thy rebuke hath broken his heart
    Behold and see if there be any sorrow
    He was cut off from the land
    But Thou didst not leave His soul 5:21
11. Hallelujah! 3:38
12. I know that my Redeemer liveth 5:43
13. Behold I tell you a mystery
    The trumpet shall sound 9:35
14. Worthy is the Lamb that was slain
    Amen 7:23

SITE RATING:  7/10
SITE REVIEW:  A Canadian release used as a fundraiser for the Mennonite Central Committee as well as Habitat for Humanity, this limited release highlights disc is good, although hampered by blocky tempos which tends to weigh everything down.  I was at first taken with tenor Paul Frey's commanding tone, but as he continued, the heavy emphasis on downbeats dragged his solos down.  The same can be said with mezzosoprano Catherine Robbin, who shares an admirable tone and phrasing, but is slowed down by director's Howard Dyck's emphatic, square tempos.  This Messiah isn't as rich and grand as the old-school 1950s recordings, it uses light forces, in both the small choir and orchestra, both of whom were compiled for this project, but he conducts as if his troupe was larger than it is, and thus loses some of the joy and dancing lightness that Messiah can have, and conversely lacking the power and majesty that larger forces can bring.  That said, this is still an enjoyable recording, with a professional feel and shine that reveals that whoever the forces were that brought this recording to fruition were professional.  The choir is remarkably unified and commanding during their melismas, although it sounds like the basses are given more weight in the mixing than the sopranos, which is a little odd.   Still, an overall pleasing highlights disc that has many fine moments.  Don't hesitate to snap it up if you can find it.

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