SITE RATING: 7/10
SITE
REVIEW: Early-music
singer Mark Brown put together this
internationally flavored 1992 Messiah
with generally good results, although it fails
to stand out among the crowd of releases, and
is, at this writing, out of print.
Utilizing a Czech orchestra and chorus,
and soloists taken from the English Pro
Cantione Antiqua vocal ensemble, this Messiah
is certainly competent, but strangely
uninvolving; Brown's tempos lack spark and
shape, leaving the generally impressive Gioia
della Musica Praha ensemble sailing without
a rudder. Among the soloists, soprano
Ruth Holton gives an amazing performance,
with a sheer white sound to her tone that's
pure and treble-like in it's effect.
Bass Lawrence Albert has one of the
most impressive ranges I've heard, powerful
and rumbling on his bottom notes, but his
overall tone left me cool.
Mezzo-soprano Vanessa Williamson has a
richer tone, quite apart from Holton's, and
tenor James Griffitt gives the least
impressive performance here, sounding a bit
under-rehearsed and thin in his upper
register. The Brensky Academy Choir
sounds clean and gives an impressively
clear-sounding English performance, hampered
only by the tame, reigned-in baton of Mark
Brown. This album has enough strong
points to warrant a recommendation, but is
difficult to find, and given its overall
flavorless direction, can be overlooked in
favor of other recordings.
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